anarcho-tyranny

Totalitarianism in which democracy is no longer replaced by autocracy but rather by hyperreality or meta-real consciousness.

Totalitarian democracy.

Futarchy.

Anarcho-tyranny describes a world in which autocracy is rendered redundant as an alternative to collective democracy because free will has been technocratically revealed to be an illusion of linear time.

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Synthetic Marxism

A specificity of synthetic materialism in which the structure of an organization serves as the design of a blockchain.

Synthetic Marxism collapses the workers' collective into a blockchain-authenticated reciprocity model.

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anarcho-traditionalism

A movement toward stateless agrarian patriarchy as a revolt against modernism and its discontents. May take on racialist attributes; closely related to anarcho-fascism.

Fundamental tenet of the alt-right

Tradicals espouse anarcho-traditionalism as a way to rebel against centralization and its manifestations--capitalism, Marxism, and democracy. They propound flat horizontal authority and view tribal-racial or village patriarchy as the supreme vertical authority

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dark left

A postmodern left which employs technique of negative formalism to criticize Marxists for misunderstanding Marx and lionizes Machiavelli and Hobbes.

Employs decopunk aesthetics to delineate an apocryphal postmodernism without neoliberalism.

The alt-center or the dark left is the true intellectual dark web.

actualizative

having the property of self-actualization or convergence between self and ideal (recursive) self. Refers to an individual having a sense of his own existential orientation; a movement aware of its own orientation in history; the fake converging with the real (hypermodernism); or past and future converging into a single resonant moment in time (metamodernism).

Marilyn Monroe was an actualizative starlet who was not only unparalleled onscreen, but recognized her own contributions to film pantheon as iconic during the course of her career.

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collusion

A proposition of ontologistics (historical aestheticism) that scapegoating never disappears it merely switches references (contra-referentializes).

A postulation of historical aestheticism that argues that the West escaped institutional religious superstition ie. scapegoating by the employment of racial scapegoating eg. colonialism.

Implies that rationalism can never fully escape religion.

Collusion is an instance of contra-referentialization.

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color-line duality

An aesthetic (cyclical) theory of history in which colors and lines alternate in emphasis depending on a medium's stage in material history.

Begins with lines of colors on white surfaces (paintings) in the Romantic era to lines of single colors on black surfaces (neon) in the modern (industrial) era, to black lines created by contrapositive primary colors (pop realism) in the postmodern era to white lines on pastel colors (New Wave) in late postmodernism to white lines created by recursive (self-referencing) colors in hypermodernism.

Color-line duality is an aesthetic phenomenon that presages the ascendance of aesthetic divergence over historical materialism as a theory of linear time.

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