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Process by which time creates heaven and reality.
Employs the forward movement of the structure of time (limina) to create the uncountable cyclical-linear lines lateral supersets of heaven.
The lateral supersets pierce the eye of the limina to enter the circle of reality as members of a radial superset.
Monarcho-formalism indicates that heaven is the mirrorworld before us; not behind us.
From the past: ultranihilism liminally creates the limina; filling reality with BEING.
The paradigm that light is the intersection of infinity and unCOUNTABLE infinity.
In Kant's philosophy transfinity is "categories-in-themselves" or noumena. Hence the term 'numinous' or lightful.
Transfinity is the most specialized case of Vikaasian meta-theory, which states that time is the juxtaposition of infinity^infinity and infinity.
A successor to the dichotomy of causation and correlation that expresses the positive-normative dichotomy in terms of time itself.
The possible-contingent dichotomy argues that there are only two categories of observation: possible and acausal.
Time emerges to become the only contingency; making it the foundation of acausality.
A paradigm in which light has shine but shine does not have light.
Implies that color arises as a perpendicular two-dimensional layer crushed between shine and light.
Shine-in-itself folds 16 times to become God.
Ultranihilism indicates that shine appears in deterministic time before light.
Color-flattened-between-shine-and-light is called "film."
1π 1π
Idealism is the idea that the mind contains an infinite or countable number of prime numbers.
Idealism would conjecture that the mind is an infinite number of radial cones arranged radially with an infinite number of prime numbers or Vikaasian supersets spread across the surface of these cones.
2π 2π
A paradigm that Marxism is an incomplete critique of capitalism due to the circumstance that it is unable to stop social deconstructionism.
Metamodernism refutes Derrida by arguing that deconstructionism isn't 'true' Marxism.
1π 2π
An artistic method that is characterized by the juxtaposition of black lines to modulate color frequencies.
Super-realism schematizes darker colors by juxtaposing parallel black lines closer together; and schematizes lighter colors by juxtaposing black lines farther apart.