One of Guns n' Roses many great songs. It is a love song written for Axl Rose's then-wife Erin Everly.
It started during a jam session when as a joke Slash started playing, in his words, "a stupid little riff" which he'd used as an excercise, and making wierd faces at drummer Steve Adler. Izzy Stradlin then came in with some chords and Duff McKagan improvised a bass line. Axl was amazed and started singing from a love letter to Erin. In 1988, with the release of Appetite for Destruction, Sweet Child reached #1 on the billboard top 40, even passing Welcome to the Jungle. Slash originally didn't like the song, but after playing it live he began to enjoy it more. His riff is always listed as one of the greatest ever by music critics.
Unfortunately, Axl and Everly's relationship did worse than the song, ending in divorce and spousal abuse lawsuits. But the song is amazing anyway.
She's got a smile that it seems to me
Reminds me of childhood memories
Where everything
Was as fresh as the bright blue sky
Now and then when I see her face
She takes me away to that special place
And if I'd stare too long
I'd probably break down and cry
Woah, oh, oh, Sweet child o' mine
Whoah, oh, oh, oh, Sweet love of mine
She's got eyes of the bluest skies
As if they thought of rain
I hate to look into those eyes
And see an ounce of pain
Her hair reminds me of a warm safe place
Where as a child I'd hide
And pray for the thunder
And the rain
To quietly pass me by
Woah, oh, oh, Sweet child o' mine
Woah, oh, oh, oh, Sweet love of mine
Woah, oh, oh, yeah
Whoah, oh, oh oh, Sweet child o' mine
Whoah oh, oh, oh, sweet love of mine
Whoah, oh, oh oh, Sweet child o' mine, ooh yeah,
Oh, sweet love of mine
Where do we go,
Where do we go now,
Where do we go,
Where do we go,
Oh, where do we go now
Where do we go,
Oh, where do we go now
Where do we go now,
where do we go,
Oh, where do we go now
where do we go,
where do we go now,
where do we go,
whoah, where do we go now,
Sweet child,
Sweet child o' mine
237๐ 60๐
An exclamation. Instead of using a normal boring one like, HOLY SHIT! Use "SWEET JESUS CINNAMON TITS!" for your daily 'holy shit' moments.
Teenage daughter 1: " Mom, I'm pregnant"
Mom: " SWEET JESUS CINNAMON TITS! "
Guy 1: " Dude listen to this awesome song "
Guy 2: " SWEET JESUS CINNAMON TITS IT'S RICK ROLL YOU BITCH! "
40๐ 7๐
OMG i was like totally on My Super Sweet Sixteen and like my party only cost like $500,000 and no party is good unless it costs like at least a million.
124๐ 30๐
A woman who should know what really happened and someone that cared for her was set up to look bad because someone wanted money they were jealous with envy just know kyu ainโt mad just want to make it right by spoiling her and say sorry haters will hate on us for the things i did fuck them haters and back to what we do best come up
Angelica Sweet Cupcake Ramos wake up the haters are exposed hating on us stealing phone numbers to set us up to hate each other it didnโt work
MTV Reality show following the planning of an extremelly wealthy father's jailbait daughter turning 16.
Type of parents who buy their kids and their friends alcohol to be known as cool parents.
Preppy girls show off their wealth and power at their school by having exclusive party.
Also see slut bitch or jailbait for the type of girls show focuses on.
Hey that girl looks 21 but is actually only 15 and turning 16. If I tapped that ass I'd be going straight to jail.
229๐ 67๐
1.Something you say when something is just unfucking beleiveable.
2.complete shock or excitement.
1.Ellie: holy shit i have chubb rub.
Tim: Sweet jesus in a hail storm thats disgusting.
2."Sweet jesus in a hail storm I found a $5 bill on the ground."
3.*man gets socked in the face*
"Sweet jesus in a hail storm you got fucked up"
32๐ 7๐
A phrase used most commonly when you are threatening somebody and said person does not believe you will actually execute these threats.
In other words, said person may believe their situation to be sweet, or safe from harm, when in reality, you will execute these threats and potentially win in a battle of fisticuffs.
Thus, the altercation has reached a new level, because by saying this sacred phrase, you have established your credibility as a threat to this personโs wellbeing, and exercised your ability to make valid threats.
Jake: Aye man, keep talking that good sh*t. You wonโt do nothing.
Craig: Oh, so you think itโs sweet, huh?
13๐ 1๐