Quality of being adjacent in a sequence and completely overlapping in physical space.
Infinity and infinity^infinity are neighbors on a number line.
In physical space, they are completely contiguous (complete).
A relationship-of-continuity-that-is-a-relationship-of-contiguity is a bijective relationship.
A constructivistically hyperreal paradigm of fascism which eschews Nietzsche's will-to-sense paradigm in favor Schopenhauer's power-to-desire paradigm.
Synthetic fascism substitutes Friedrich Nietzsche's model of nihilism for Kashif Vikaas's model of aesthetic or "meta"-nihilism.
In synthetic fascism will is postulated as having "synthetic" or "false" origins.
The paradigm of 'synthetic' will is also marketed as 'vapor sharia.'
Synthetic fascism replaces Nietzsche's paradigm of will with a contrapositive paradigm: power-to-desire.
13π 38π
Cyberpunk aesthetic that is characterized by overexposure and contrapositive linearity (lines formed by self-referencing colors).
In contrast to postmodern cyberpunk in which lines are formed by deconstructed objects juxtaposed with each other and with a futurist ambience.
Chillwave a musical subgenre from 2001 is the first instance of hyperreal cyberpunk. It evolved to hypnagogic pop (dream pop) and finally vaporwave music and aesthetic.
A relationship of function which deconstructs into a duality of momentum.
An instance of the Vikaas Paradox.
Duocracy implies that a singularity of a function is in actuality a duality of two contrapositional momentums.
5π 1π
A byzantine display of hallways, stairs, rooms, and walls within 1950's noir films. On the first degree, a visual metaphor for the existential horror of modernism. Modernism as a labyrinth or maze representing the futility of man's self-created choices; a system in which all choices are ultimately identical; a false freedom; fatalism. The concept that human-created systems--modernism (industrialization)--cannot civilize man; and offer him unsustainable (inauthentic) progress. The concept that man cannot save himself. On the second degree, a metaphor for the idea that modernism is more indicative of man than man is of modernism; that man's authentic essence is that of a heart of darkness. Presaged the onset of postmodernism.
Interiorization is a deep visual metaphor that indicates man cannot willfully create unique existential choices, material progress is a false dichotomy from man's 'true' essence, modernism deludes human beings into the perception of false progress; the essence of man is a heart of darkness (Joseph P. Conrad); and modernism is more an indictment of man than man is a representative of the progress of modernism.
Aesthetic in which industrial characteristics define electronic interfaces
Sega's arcade games contain generous motifs of electro-industrialism
58π 3π
The tension between will and power.
The tension between language and aesthetic.
The tension between past and future.
The tension between linear time and cyclical time.
Futurekampf has a contrapositive orientation with respect to kulturkampf.
Futurekampf is the contrapositive struggle of history to convert linguistic sense to aesthetic desire.
14π 1π