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when someone snorts a line of cocaine anytime of the day or night, to start off their day, night, or to get a second wind to a long day or night
Example 1)
Kirk had a long day, we should sit down to a Miami Breakfast, so he will be fresh for tonight.
Example2)
Dustin: Why is Mike so energized this morning, after a long night?
Brett: Oh, He had a Miami Breakfast first thing this morning.
A line of cheap speed and a shot of Pernod, usually taken as a pick me up after a rough night.
N.B; if taken after 12pm it becomes an Algerian Lunch
"Fuck me that was some night, think I'll whip up an Algerian Breakfast"
The act of mixing Lucky Charms with Guinness for breakfast. Used by the Irish as a cure for a long night of drinking, as well as the start of a long morning of drinking.
"Oh man, I'm so hungover...lets fire up the Dublin Breakfast"
Two eggs and a sausage in the mouth all at the same time.
I did not think she could have done it but some how she managed to give me the continental breakfast.
To perform oral sex in the morning, before lunch but after breakfast
Man, when I spent the night at his house, he made me an omlette, and then later he had second breakfast if ya know what I mean
A hot steamy pan of dookie pie, usually served in bed, restrained.
"Good morning honey, what's for break-oh the hell's that smell?"
"Hold on honey! *brrrp* Umph! *frapapapapapa* Ahhh. Here you go sweetie, morning breakfast"
"Oh what the Bolshevik!"
A great novella written by Truman Capote in 1958 and later hijacked in 1961 to produce a watered-down film of the same name in the form of a romantic comedy. Narrated by a male christened "Fred", the story centres upon his former friend Holly Golightly, a street wise, free-spirited nineteen year old who ran away from her Texas home and husband to live life as a scandalous socialite/call girl/wannabe gold-digger in New York. The underlying theme is the fear of love, stability, and emotional attachment that drives Holly's "wild thing" persona, and the inability of the narrator's inhibited love for Holly to manifest itself as her salvation. Unlike the film version, Capote's Holly is true to life in that psychologically damaged people do not drastically change their ways and live happily ever after once they are basically told to grow up. Also unlike the film, a horrendously unfunny racist portrayal of Mr Yunioshi is absent.
"It's better to look at the sky than live there. Such an empty place; so vague. Just a country where the thunder goes and things disappear."
--Holly Golightly, 'Breakfast at Tiffany's'.