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(n)1. One who relies soley on Microsoft products and services.
2. A microsoft user who has not downloaded relevant security patches, thus making them an easy target for viri and the like.
Laird is a microsoftie. He's gotten five viruses in hte last month because he ignores the security patches.
9π 5π
A band with some sweet old stuff, but theyre new album kinda sold them out and has way too many ballads
The Ataris are not punk.... so dont think because u listen to simple plan, godd charlotte, and the ataris that you are "punk" be urself you conformed bitch of corporate america.
10π 16π
Hottie = hot girl speeled so Brazillians can pronounce it correctly. Common among Brazillian Jiu Jitsu practitioners and no holds barred fighting fans.
Not only can she fight but she's a rottie
10π 17π
a college designed with the sole intent of destroying all your ideals regarding college. It's not a magical land of mature people, it's a fantasy land where perpetual high school kids live independently from their parents for four years. It's inhabited with a mixed batch of pituitary cases and shallow cellphone brandishing moroons who have no interest in learning. The eclectic interest of the typical student at UCR lies in the following activities: never attending classes, failing nearly everything, drinking themselves retarded, gaining base knowledge on how to unreflectively acquire a decent paying job in order to attain some materialistic goal bred from a californian upbringing, and if they get lucky, turning impressionable freshman girls into emotional wrecks.
Speaking of vacuous, i go to UCR.
112π 354π
a fucking dumb ass girl who is stupid as hell: had no common sense
Breana Rehak is a fucking bimboo
52π 35π
a cute couple that draws together
we are so kozyndan!
24π 10π
DNA was a great no wave band that is partially responsible, along with various forms of punk (proto, post, etc.), for the recent emergence from new york of groups like liars, radio 4 and the rapture. they respresented a wilfully awkward, energetic, form of punk rock that left an empty field of potential where modern conventional, scruffy boy, third rate rock and roll (green day, strokes, etc) should attempt to inhabit. DNA invented an entirely new type of rock music based around rhythms and manipulations, the four DNA tracks on the brian eno produced compilation Γ’ΒΒno new yorkΓ’ΒΒ had so many differing ideas about tone, rhythm and sound yet still provided an air of accessibility. this was freeform that still remembered that it had an audience, and therefore sought out maximum impact. DNA's only studio release (a taste of DNA ep) was in 1980. clocking in at 6 tracks and barely 10 minutes, DNA did to rock music what free jazz had done to the jazz world. they signaled in a new year zero, with such a powerful sound, that was so far removed from what anyone else was doing, that to last longer than ten minutes would have been unnecessary; and damn nearly impossible. for all of their clashing tones, atonal squawking and sound manipulations, however, DNA were not expressing any real nihilism. whereas teenage jesus and the jerks had used noise as a sublimation of the ego and the self, and sought to destroy through noise, DNA were using noise as a form of childlike freedom. no less aggressive and direct, just a different approach. no wave used instruments not as instruments, but as tools and conduits for emotional release and expression.
17π 27π